dieser beitrag wurde verfasst in: englisch (eng/en)
akteur: Robinson, Ione
biografische angaben: Born 1910 in Portland, Oregon. Died 1989 in Paris, France. American painter, photographer, and writer
The young American artist Ione Robinson (1910 - 1989), an aspiring muralist, traveled to Mexico in the summer of 1929 in hopes of working with the great Diego Rivera. With only token letters of introduction (by George Biddle, [?] Monasterio and [Federico] Cantú and others), she wrangled her way across the Mexican border and did indeed meet Rivera, who allowed her to assist him on his mural project at the National Palace. It was Rivera who arranged for her to stay at the home of his good friend and former lover, Tina Modotti, until permanent lodgings could be found. In her autobiography, A Wall to Paint On (New York, 1946), compiled from a series of letters to her family and friends, Robinson wrote of Modotti's hospitality, recalling, 'She has been wonderful to me, and she is certainly a fascinating person … She even unpacked my clothes for me … [and] gave me a folio of her photographs to look at …' (pp. 85-6). Over the course of her three-month stay in Mexico, the spirited Robinson became friends not only with Rivera and Modotti, but also with Frida Kahlo and Joseph Freeman — a young American communist writer and her eventual husband — who headed the Mexican office of Tass, the Russian news agency [in 1929]. It was during Robinson's time in Mexico City that Modotti took several photographs of her.
Ione Robinson stayed in Spain in 1938 and documented civil war affected people, especially children, by photographs and drawings.

[…] It is true that plenty of public buildings are painted with sunsets and angels to make an effect or just to fill in an empty space, but then America loves effect and hates empty space. What I hope for is to see the day when art will be encouraged to be a part of the life of this country, and I know of only one place where that is happening now: Mexico. Rivera has been painting many of the government buildings with frescoes for the people to look at, and what I have seen in reproduction is very powerful and moving, I believe, because it is the struggle of the Mexican people that he is painting. I would like to do this for our country; perhaps some day it will happen.